Danger gang discography download

Cart 0 Your cart is empty. Listen to Harvey Danger and thousands of other artists on Qobuz. Harvey Danger Although formed in Seattle during grunge's heyday, Harvey Danger took inspiration from a wide range of influences, from hometown heroes like Nirvana and Mudhoney to such melodic cult bands as the Pixies, the Buzzcocks, and Ride.

Share artist. Copy the following link to share it Copy. Similar artists. Discography Sort and filter releases 0. Rock Jan 1, Rock Sep 1, Little By Little Rock Dec 1, Rock Jun 1, Sort and filter releases Clear. Sort by: Bestseller. Most acclaimed. Price Low to high. Price High to low. Elaine McFarlane was into blues and jazz, and her first professional gig was in a jazz-based singing group called the Jamie Lyn Trio in By the start of , lured by the booming folk music scene, she joined the New Wine Singers who mixed folk and protest songs with Dixieland jazz.

Their three days of jamming while the storm left them stranded resulted in an invitation for them to join her up in Chicago, of which Bach and Pickering availed themselves later that year. McFarlane was working as a singing waitress at a club called Mother Blues when she was told by the owner, Curly Tait, to assemble a group to open for the outside acts that were booked. She recruited Bach and Pickering who began arranging their repertory for three voices; they also recognized that with an act thrown together at the last minute, they might be a little short on time, and so following a tradition going back at least to the Kingston Trio , they wrote some comedy sketches.

The trio, which resembled nothing so much as a broken down jugband with a sense of humor -- similar, in fact, to the early Nitty Gritty Dirt Band -- with Bach on bass, Pickering playing guitar, and McFarlane playing washboard and kazoo. Malcolm Hale joined on guitar and percussion as the group moved out of Mother Blues and into bigger clubs, with Tait serving as their manager.

Malcolm Hale came up with the song's vamped vocal opening, which became the group's signature. The resulting single, released in May of , peaked at number nine on the charts in June of , one of the fresher pop-folk sounds amid the Summer of Love. Drummer John Seiter joined in the summer of just as the group was breaking. A second hit, "Making Every Minute Count," although not as distinctive as their debut, rose to number 22 nationally, and then a third, "Lazy Day," reached number 14 late in The group's harmonies were impeccable, and their records and arrangement displayed a slick, smooth texture that overlapped with the sounds of pop-jazz and also with the singing that one often heard on commercials of the period; they availed themselves of that full range in preparing their debut album.

By the end of , with the group now making appearances on national television as well as the national charts, Mercury Records couldn't wait for the album to be finished.

There were some surprising songs there, including "Five Definitions of Love," a jazzy piece of pop music that was literally the dictionary definition of "love" set to music. The group was less than happy, however, that their unfinished rendition of "Brother Can You Spare a Dime" was on the album. In early , Oz Bach exited the lineup and was replaced by Kenny Hodges on bass who joined along with his friend Lefty Baker real name Eustace Britchforth , a guitarist and singer.

Despite their record of success working with Jerry Ross, the group felt that the sound they got with him was too polished and elegant and not truly representative of the group.

During the recording of their second album, another hit, "Like to Get to Know You," which ultimately gave its name to the LP, was created. In contrast to their debut album, the Like to Get to Know You LP also contained blues; '40s-style vocal jazz-pop; a radiant harmony number, "Stardust," which provided the inspiration for the Manhattan Transfer; and even one defiantly topical number, "Give a Damn," that managed to reach number 43 as a single despite a widespread ban because of its title.

There was actually very little playing by the band members who were supplemented by studio musicians on much of the album, but that was less of a problem than the fact that there was no obvious, upbeat hit on the record in the manner of their two prior LPs. The material was too sophisticated and too serious, and nothing off of the album apart from the earlier released "Give a Damn" got even as high as number 90 on the charts. They were in excellent voice and Scharf and Dorough were writing material and arrangements that were stretching the members' abilities to new levels of sophistication.

In October , however, the group received a devastating blow when Malcolm Hale died suddenly of pneumonia. The year-old multi-instrumentalist also sang and arranged and pretty well kept the band together.

In the wake of Hale's death, the group played out its concert commitments and then reassessed its future.

McFarlane was pregnant and not planning on performing with them too much longer, and Seiter had been offered a gig playing drums with the Turtles. The mediafire link is uploaded and shared by Shadow Of Death. We share Hard rock, Glam metal. Hard rock, Glam metal bands from all over the world, Japan, Remastered releases and rarities.

You can promote your album for free. You can join our place and start sharing free albums as well. The downloads are absolutely free and legal and we do not make money from them, just sharing among users. Nous partageons du Hard rock, Glam metal. Vous pouvez promouvoir votre album gratuitement.